Return of the Jedi (1983)

Return of the Jedi (1983) ★★★★★ 3/5

Once my favorite of the original trilogy, it has been removed of that title. Not by time, but rather by George Lucas himself. Because of his meddling in the film over time, it has completely ruined it. While in music it is a fairly common practice to remix and revise songs as time progresses, this practice does not hold true for movies. Upon their creation and release, the audience has the choice to either embrace it or disregard it. When Return of the Jedi was released, I embraced it. Now, I disregard it because of revisions made to the movie.

Over the course of time, George Lucas has altered the film repeatedly. Whether it be sharpening the imagery, adding effects, or worst of all completely altering scenes, his actions after initial release have ruined everything about the film.

The story is that of Han Solo's (Harrison Ford) rescue from Jabba The Hut. The entire cast reunites in the beginning of the film for an epic battle involving beasts, bounty hunters and odd creatures. However so much has changed. There is a ridiculous dance/music number by Sy Sootles and a bunch of other superimposed new characters. There are wide panning shots in the exterior with herds of mythical creatures. The shot looks so incredible animated and fake to begin with it doesn't even belong in a film. It looks like it should be in a video game. The Sarlac Pit where Solo and Luke Skywalker (Mark Hamill) are sentenced to die is a bizarre pink color and suddenly has a head that looks like it was borrowed from Little Shop of Horrors. I had no idea what I was watching.

With the help of C3-PO, R2-D2 and Chewbacca, Solo, Skywalker, Princess Leia (Carrie Fisher) and Lando Calrissian (Billy Dee Williams) are saved. The group teams with the Rebel alliance to help destroy the newest Death Star being built. The main action occurs on the Ewok's planet Endor. On the ground, Solo, Leia, the driods and Chewbacca work with the Ewoks to battle Imperial troops on the ground in a effort to disarm the protective shields around the Death Star. In air, Calrissian and the Rebels attack the Death Star. Meanwhile Skywalker is on the Death Star battling his Father Darth Vader (James Earl Jones & David Prowse) as the Emperor (Ian McDiarmid) cheers for the Dark Side of the Force.

In the overall experience of the full 6 part series, Return of the Jedi does a wonderful job of closing the story line. The first 3 films in the series (which actually follow the release of Return of the Jedi) really do a nice job of tying in the characters and bringing us to the point where we see Palpatine go from a corrupt Senator to an evil Emperor. If this movie would have been left in it's original state and not tampered with, I would have easily given it 5 stars. There is too much damage done though and the film does not allow viewers to savor the originality of the film. Furthermore, the final scene has been altered to the point where it can not be fixed. As the Rebels celebrate, a ghostly image of Obi-Wan Kenobi (Alec Guinness), Yoda (Frank Oz) and Anakin Skywalker (Sebastian Shaw) smile onward. It is a beautiful conclusion and all is well. Or is it? In the new version of the film, Anakin is shown in his younger years as played by Hayden Christensen in the recent prequels. He doesn't fit at all. It looks awkward in every way possible. This alteration made me feel sick. It completely ruined a fine and tender moment in the trilogy. Horrid.

George Lucas has cheapened and ruined his film. His alterations do far more damage then good and I can only hope that no other director or producer decides to go back and take such liberties with other films. Complete disgrace!

The Paleface (1948)

The Paleface (1948) ★★★★★ 1/5

With no question this is the worst movie I have seen in my journey through 1001 movies you must see before you die. I almost couldn't bear to finish it. The Paleface stars Jane Russell as Calamity Jane and Bob Hope as Painless Potter. Potter is a completely dimwitted, moronic dentist who gets caught up with Calamity Jane in a Western adventure turned comedy.

While I always held high regard for Bob Hope for his musicals with Bing Crosby, his USO work and his unparallelled gigs as the host of the Academy Awards, his performance in The Paleface was a complete let down. If you took Jack Black and threw him into a 1940's movie, it would be no different then Bob Hope's performance in The Paleface. The comedy was forced, over the top, and in no way funny at all, although you can tell Hope thought he was hysterical. There is no doubt in my mind that a lot of this film was ad-libbed and everyone working on the set laughed out of obligation and they kept it in the film. It was so ridiculous. You can even tell just by looking at the poster for the film.

Jane Russell on the other hand was brilliant in the film. She plays Calamity Jane, or a very loose adaptation of her. She is strong, confident and independent. Her character and performance breaks the genre's stereotype of the women being either victims or weepy, lovesick romantics. The film opens with a jailbreak. Jane is the one being broken out. It turns out the jailbreak is orchestrated by the Governor who requests Jane's assistance in preventing the sale of firearms to Indians in exchange for a pardon from a 10 years sentence.

Jane is smarty, savy and cunning agent. She works to figure out the plan to smuggle the arms to the Indians, and to fight them off. In all of her conquests, Potter comes out looking like a hero with growing confidence that only increases the unnecessary one liners.

If it was not for Hope this would have been a great movie. I just couldn't get past the stupidity of his character and the humor which was not funny in any way whatsoever. Interestingly enough, the film spawned Hope the biggest musical hit of his career. "Buttons and Bows" was not only a huge hit for him, but it also ended up winning the Academy Award for best song. The musical numbers in the film are sparse and done so in a way that they fit. Singing and dancing segments do not just pop up at inappropriate places. Hope sings "Buttons and Bows" while they ride along on a wagon trail. So it is not like they just break out into song and dance which would be somewhat unfitting for a Western. On another positive note, I will say that the use of Technicolor in this film makes it easy on the eyes. the colors of the sets and costumes work well in the film.

This is a movie that does not need to be on the list. The only reason to see it is to become better acquainted with Jane Russell. Of course there will be more to come from her in Gentlemen Prefer Blondes (1953) - which incidentally does belong on the list.

The Empire Strikes Back (1980)

The Empire Strikes Back (1980) ★★★★★ 5/5

This is a special movie for me. It brings back amazing memories as the first movie I really, clearly recall seeing in the theater. I was six years old and my Dad took me to see this on a snowy night. It was playing in one of those old theaters with the balconies on either side of the screen, the red velvet curtains draping around the screen, plush carpet with oriental designs. This was long before the movie plexes when theaters were in the heart of small downtown streets. Watching this movie in that theater was epic. Being a kid and looking up at the screen full of action and adventure. The sight of that movie on the big screen has always been embedded in my head.

Watching the film on a 60" LED, HD TV from Blu Ray brought back everything. The movie still holds up and is just as good now if not better. To my relief the additions Lucas added to the film were much more minor then what he added to Star Wars. There were no added dinosaurs or flying droids. It seemed that the bulk of the revisions were simply in making the colors brighter from explosions and lasers.

In this sequel to Star Wars, Princess Leia (Carrie Fisher) and Han Solo (Harrison Ford) find themselves on the run from Darth Vader (David Prowse & James Earl Jones) with Chewbacca and C-3PO. Luke Skywalker (Mark Hamill) makes his way to The Dagobah system with R2-D2 where Yoda (Frank Oz) begins training him as a Jedi Knight. Leia and Solo make their way to Cloud City where they can hide from Vader with the assistance of Lando Calrissian (Billy Dee Williams). However Vader beats them to Cloud City and already has arranged for Calrissian to assist in capturing them. Once captured, Vader surrenders Solo to Boba Fett (Jeremy Bulloch), a bounty hunter who is going to take Solo to Jabba The Hutt to claim a reward for the price on his head. Vader uses Solo as a test in a carbon freeze chamber. When Vader sees that this device stores prisoners without harming them, he decides to lure Skywalker there in hopes of freezing him in the same manner to deliver him to the Emperor. Skywalker does come to resuce his friends but is too late. Instead he must face Vader where we learn the truth about their relationship. "Luke, I am your Father," Vader says in an effort to bring Luke to the dark side. Skywalker does not give in and chooses to drop hundreds of stories to the bottom of Cloud City where he is stuck hanging from an antenna. While this is happening, Calrissian overthrows a small group of Stormtroopers and rescues Leia and Chewbacca. They flee to the Millennium Falcon and leave Cloud City. As they fly off, Skywalker dangles from the antenna calling to Leia. She senses his trouble and can comprehend where he is. Once Skywalker has been saved, the film closes with Skywalker, Leia C3-PO and R2-D2 safe in a space station looking out upon the universe. The stage is set for the rescue of Solo.

Initially, I always found this to be my least favorite of the original trilogy. Looking at The Empire Strikes Back now, I feel I was wrong. I think this is actually the best of the original three films. The romance between Solo and Leia is classic Hollywood. They have a love/hate relationship with sexual tension so thick you can cut it with a knife. The storyline between Vader and Skywalker is well played. Fighting scenes are exceptional with astonishing visual and sound effects. The mastery in the beginning of the film where the Rebels battle the Empire on the planet Hoth is orchestrated beautifully. Flying fighters take down giant machines. Costumes are far more advanced in this film then the last. While I would say this movie is superior then Star Wars, it also has to be said that this film shouldn't be seen without first seeing Star Wars.

Swing Time (1936)

Swing Time (1936) ★★★★★ 4/5

This delightful story starts off smart and fun right as it opens. John "Lucky" Garnett (Fred Astaire) is about to head off to be married to Margaret (Betty Furness) after finishing work. However his coworkers know that if he gets married his career is over. Since Garnett is the star attraction of their dance troupe, they know their performances wouldn't bring in any money. To prevent the marriage, Garnett's "friends" do everything they can to hold up and stall the wedding. The big ploy is telling him his tuxedo trousers need to be hemmed. "Pop" Cardetti (Victor Moore) is instructed to take the pants to be altered but the alterer will not make such changes to tuxedo pants. Eventually Pop brings the unaltered pants back and sends Garnett to be married. When he reaches the bride's home he finds the guests are gone, the wedding is cancelled and the Bride's Father is furious stating he will never allow Garnett to marry Margaret after this incident. Garnett suggests Margret and him should be married if he can make $25,000 and the Father agrees. So Garnett heads to New York City with Pops to make some money.

At the train station he is intercepted by his friends who try to detain him from the train by taking their money earned at the last performance back. This doesn't stop Garnett and Pops though. The two jump aboard a freighter train and shortly end up in New York . . .with nothing but a quarter. It is with this quarter they meet a beautiful red head. Garnett asks her to break change for the quarter to get Pops some cigarettes. The cigarette machine is a jackpot of sorts, spitting out money and cigarettes. Pops grabs a quarter and tells Garnett to get the original quarter back from the girl. She refuses the exchange and is annoyed by the disruption. When she drops her purse, Pops swipes the lucky quarter from it and she notices it missing. She summons an officer and he sides with Garnett telling her to move along. It is then that Pops reveals to Garnett he has the quarter. Garnett follows the girl to return it learn she is a dance instructor.

At the dance school he learns her name to be Penny (Ginger Rogers) and he opts for a complimentary dance lesson. He pretends to be awkward in his dance and at one point bringing her to the ground. Her boss sees this and fires her on the spot. Feeling bad, Garnett explains she should not be fired and performs a delightful dance with her to show off her ability. This scene is light and elegant. The dancing is superb and a testimony to the perfection of Ginger Rogers and Fred Astaire. After seeing the two dance, Penny's boss calls a nightclub and lines them up with a job.

Through the film we watch the couple grow attracted to each other. Garnett wants to be with Penny but can nt because he is still engaged to Margaret. Penny is constantly courted by bandleader Ricardo Romero (Georges Metaxa). To prolong his stay in New York, Garnett makes as little money as he can to avoid going back home with $25,000. When Penny does find out Garnett is engaged, she accepts a proposal from Romero. Margaret comes to New York to tell Garnett she is engaged. Once he hears this, Garnett and Pops stall the wedding between Romero and Penny by using the hem trick that was introduced in the first scene of the movie.

The movie is funny and quite charming. Through the film, the interaction between Pops and Penny's friend Mabel Anderson (Helen Broderick) keep the film fresh. There is witty bickering between them as well as between Garnett and Penny. The dance numbers are entertaining and it is a spectacle to watch Ginger Rogers and Fred Astaire move together as one. Seeing this film truly makes you understand why they worked so well together. Fred Astaire also performs a memorable solo in the "Bojangles of Harlem" number where he dances in front of a screen showing three shadow images of himself. Considering production values in the 1930's, this scene was quite spectacular and well ahead of it's time. To this day, the influence of this scene can still be seen in film, tv, commercials and music videos.

Musically, the film earned an Academy Award for the song "The Way You Look Tonight." A song that has been used repeatedly in film and stands the test of time. Other notable songs that one would recognize in the film are "A Fine Romance" and "Never Gonna Dance."

I gave this film 4 out of 5 stars, but almost feel guilty about it. I am on edge with this film thinking it might actually deserve 5 out of 5 stars. It is a must see film for movie lovers and entertains, quite well. I might actually rewatch this again to see if in fact I should bump it up. Watch this one and see what you think!

Star Wars (1977)

Star Wars (1977) ★★★★★ 5/5

One could easily say that movies would not be what they are today if it was not for Star Wars. This is the movie that changed the dynamics of visual effects in every way possible. From the use of tiny scale models to imaginative costume design. From lasers and planets to creatures and weapons. Perhaps no other film has made such an impact on pop culture. The movie spawned everything imaginable including toys, video games, cartoons, Christmas songs, National defense plans, spoofs, parodies and constant homages.

The film earned a total of 6 Oscars, all in technical categories. It has endured the test of time and the characters and plots have become implanted in the minds of every generation. There is no doubt this is a must see movie and when someone says they haven't seen it, it comes off as shocking.

I recently received the new Blu Ray edition of the entire Star Wars series and was thrilled to actually see this film restored and enhanced. The clarity of HD and the pure sound was going to be a real treat as it was with West Side Story. However my expectations fell short. Very short in fact and I was disgusted by the film. In the newly released Blu Ray version of the film, there are extra scenes and added effects. To many added effects in fact. There are things flying about Stormtroopers as they walk through hallways. There are dinosaur like creatures being rode by Jawas and other characters in spots where previously you saw barren land. It is distracting and completely takes away from the magic that was created when the film was first made in 1977. There is also an added scene where Han Solo (Harrison Ford) has a discussion with Jabba the Hut. It's vile and left a bitter taste in my mouth. There is a fine line between film restoration and tampering. George Lucas tampered with the film and in essence knocked the revised edition down from a 5 star movie to a three star movie.

Beyond that, the cast is perfect. Luke Skywalker (Mark Hamill), Princess Leia (Carrie Fisher) and Han Solo make the perfect trio. Skywalker, a farmer by trade with hints of greatness in him, is led by two loveable driods, R2-D2 and C-3PO in the center of a rebellion against the evil empire. Escorted into space for the rescue of Leia with guidance from Obi-Wan Kenobi (Alec Guinness) and a ship flown by Han Solo and Chewbacca, it's non stop excitement. The group must sneak by guards and imperial troops to make their rescue. All while avoiding Darth Vader (James Earl Jones).

There is action, suspense, comedy and even a little romance as Solo and Skywalker swoon over Leia. There is mystery and intrigue as we want to know more about what has led to these events and what will happen next. The movie is interesting in the fact that it tells a solid story on it's own and would hold up just fine had it been made as a single film. It however went on to generate two sequels and three prequels. Characters unfolded and it essentially became a subtle soap opera. Mystery twin siblings became unveiled, Father/Son relationships were developed, alliances between good and bad were drawn. All this was done while remaining true to what was exposed in other films. No other collection of films so clearly tied all the pieces together so well.

Everyone should see this movie. It is special in every way you can think of. This film has affected pop culture and society in so many ways that if you have not seen it, you are missing more then just a movie.

The Great Train Robbery (1903)

The Great Train Robbery (1903) ★★★★★ 5/5

13 minutes is all it takes to see this one. And yes, you should see it. This short movie is worthy of 5 stars for several reasons. Made over 100 years ago, the film makers and actors from Edison Studios revolutionized movie making. An entire live action story was brought to the big screen and clearly conveyed a solid story with no dialogue or sound.

The story of The Great Train Robbery was simple enough. A group of men break into a train depot and hold up the operator, forcing him to stop the train so it can refill with water to operate the steam locomotive. In the background the train rolls up and the men sneak out of the building and work their way onto the train. Once aboard what seems to be a mail car, the robbers are involved in a shootout. The man managing the mail is shot and killed in the fight. Before he is killed, he makes sure to lock a box holding money and throws away the key. When the robbers can not find the key, they use dynamite to explode the box and claim the money.

Next they climb atop the moving train. There, they murder another train attendant and throw his body off the train. While the body they throw over is clearly a dummy, the editing process is extremely well done for the time period. At some point they had to cut the film to interchange the live actor with the dummy and it is a smooth transition. After overtaking the rear of the train, the robbers get into the engine and claim the train, bringing it to a stop. Meanwhile, a handful of robbers clear out the passenger cars and empty them from the train by gunpoint. One brave passenger tries to flee but is shot dead and made an example. The robbers make their way through the crowd stealing watches, jewelry and wallets. Once they have collected everything, they disconnect the engine from the other cars, hop aboard and ride off. This scene is clearly an inspiration to the train robbery scene in The Wild Bunch (1969).

Once the train has traveled far enough away, the robbers mount horses and ride off into the forest. At the same time, the station worker who was previously tied up has escaped and informs some people having a party that there has been a robbery. These men leave the party and chase down the robbers. When they find them in the forest there is a gunfight on horseback. Again, the filming of this is excellent for it's time. The camera work is sturdy and well focused. Eventually, the robbers are shot down and the stolen goods are recovered.

The final scene (in some cases the first scene depending on how the movie was played) ends with a very famous shot of a gunfighter taking aim at the camera and shooting. This scene is used in the opening of the film Tombstone (1993).

Another interesting piece to this film is the use of color. While color does not become standard in film until later in the century, The Great Train Robbery implements small bits of color. There is a small child cloaked in red who rescues the tied up station operator. Was this girl in red inspiration for the color in Schindler's List (1993)? There are flashes of color when dynamite and gunfire are involved in the film. The joyous dance scene shows women in colored gowns, and pennants of red and green hang from the rafters. This color is actually all hand painted on the movie sills and is a quite fascinating implementation of color.

The acting is basically very smooth. It is natural and not overdone as one often associates acting to be in silent films. This is with the exception of the shootings though. Shootings in this film are over dramatic and highly exaggerated. But other then that, the on goings in the film are not drawn out and believable. The technical aspects of this film are great. The live action and the staging of the movement of inanimate objects such as the train are timed perfectly. The use of color in the film is interesting as well. Take the 13 minutes and see it for these reasons alone.

The Searchers (1956)

The Searchers ★★★★★ 5/5

This is my absolute all time favorite Western. Hands down. I am not a fan of John Wayne. While I know he epitomizes the essence of Westerns, he comes off flat to me. I don't feel he is an actor. I feel that his performances are all extremely similar and there is no variation from one film he stars in to the other. However in The Searchers the character he plays has great depth. His character, Ethan Edwards, is conflicted. While he claims to care only about himself and his motives, his actions say otherwise.

The film opens upon the majestic scenery of the glorious west. John Ford uses the camera and the cast magnificently. From the front porch of a ranch, the camera looks out red rocks. In the foreground, a woman in a blue dress looks out to the plains. Out from the horizon comes a Civil War vet on a horse. That man is Ethan Edwards. The woman is his sister in law,Martha (Dorothy Jordan). He is soon greeted by his Brother Aaron (Walter Coy) and their children: Ben (Robert Lyden), Lucy (Pippa Scott) and Debbie (Lana Wood as a child and Natalie Wood as teenager). The family settles in getting reacquainted with Ethan. As dinner starts, Martin Pawley (Jeffrey Hunter) joins the family. He is an adopted son of Martha and Aaron. He is also 1/8 Indian heritage. Ethan shows no hesitation in making that known and even less hesitation declaring his dislike for Indians.

Within the first few scenes, the audience knows two things. First, Ethan despises Indians and is fueled with racist thoughts towards them. Second, he longs to be with Martha. It is never spoken of or acknowledged, but it is made clear from the way he looks at her. It has been suggested by some critics and observers that Debbie may actually be Ethan's daughter. This observation comes from Ethan giving Debbie a medal from the Civil War and her age calculated with when Ethan was last there. But this is all speculation.

The family is interrupted by Captain Samuel Clayton (Ward Bond) and a group of his men who ask for Aaron and Martin to join them in tracking some stolen cattle. Ethan offers to take the place of Aaron and the group head out to find the cattle. They come across prize cattle slaughtered in the desert. Ethan advises that the killing of the cattle was a diversion and that it meant only one thing - that the Indians were looking to ambush nearby homes. The men split up and go to their respective families. Ethan and Martin ride to the home of Martha and Aaron. The scene they approach is very, very similar to the scene from Star Wars where Luke returns to his Aunt & Uncle's burnt down home and dead bodies. In The Searchers, Martin finds Martha and Aaron's home - and it is worth mentioning he refers to them as his Aunt & Uncle - completely charred and their bodies to be burned. One could easily find the influence of The Searchers in the similar scene of Star Wars.

Ethan and Martin decide to hunt down the Indians to see if they may have possibly kept Lucy and Debbie alive and kidnapped them. Brad Jorgensen (Harry Carey, Jr.), Lucy's boyfriend rides along with them. While on the trail of the Indians, Ethan finds Lucy's body. She had been raped and murdered by the Indians. Upon learning this, Brad raids the Indians and is murdered by them.

The story continues for the course of 5 years. Through this time, there are some additional plot lines. Martin has a girl whom he plans on marrying someday. She does not want to wait and proceeds to marry another. The wedding is abruptly cancelled when martin rides into town. At the same time the US Calvary enters to inform the group that they need help capturing the Indian chief Scar (Henry Brandon). Scar is the Indian that Martin and Ethan have been looking for. After a raid on the Indian camp, Martin finds and rescues Debbie. Ethan however has an extreme resentment towards her and no longer considers her an equal human, feeling that now she was an Indian.

By the end of the film, he does two things that show his character development. While he doesn't feel that Debbie is kin because she has lived with the Indians for so long, he overcomes this in the rescue and does eventually save her rather then shoot her. He also at one point makes a will and leaves everything to Martin. Which completely goes against everything that we were initially introduced to early in the film.

The film is compelling and solidly written. The plot is clear and not clouded by unimportant details. Throughout the film you hear John Wayne say "That'll Be The Day." Yes, this line was the influence to the Buddy Holly song of the same name.

A great film and more then worthy of being on the list of movies to see. Pay close attention to the beautiful cinematography. Appreciate the brilliance of the score. Connect with the characters and follow their growth. Pay attention to what is not being said. enjoy it!