To Be Or Not To Be (1942)

To Be Or Not To Be (1942) ★★★★★ 4/5

Carole Lombard and Jack Benny play a Polish husband and wife acting team who participate in a theater group during the height of Hitler's reign. Their theater group is actually performing a comical play about Hitler, but they find themselves switching to a Shakespearean play when the Polish government tells them that they can't perform the Hitler themed play they had rehearsed.

They, along with their acting troupe soon find themselves out of work as war breaks out. But before you know what happened, they are in a complete mad capped adventure. The two find themselves in the middle of a plot to thwart the war and murder Nazi informants. However their schemes go awry and when the informant the y are after is killed, they must take on him as a character to hide that they had murdered him. The film continues this way until they are actually impersonating Hitler himself.

Is it a film to see? Yes. There are several reasons to see this film. The first is because of Carole Lombard. This was actually the last film she made. In fact, the film was released after her tragic death. She was clearly at the height of her career and this film is a testament to her talent. Another reason you need to see this film is because if you are a movie lover, you probably watch current movies too. Although I have not seen anything that officially confirms it, this film has all the makings to serve as inspiration for Inglorious Basterds (2009). Much of that film can be seen in To Be Or Not To Be from the layout of the theater and the concept of tricking Hitler at the opening of a film. Both films feature our protagonists disguising themselves as Nazi's and infiltrating at the highest level possible. Of course this leads us to the third reason to see this film. It uses humor in the most unlikely context. Remember, this movie came out while Hitler was still alive. The sight of a Nazi uniform was offensive. Conceptually, at that time, actually still to this day, it is awkward to pair comedy and Nazi's together. That was quite a bold move in 1942. Yet at the same time, the humor is really poking fun at, and making the Nazi's look like fools. The tie in and use of the "To Be Or Not To Be" scenes are all quite well done and make for a great tie in of the films plots.

Comical scenes are performed well without any hokey qualities or over embellished lines. Much of the humor in the movie is subtle and needs to be picked up on by the viewer. As a viewer, you do also have to follow along to keep track of who is an imposter and who is not. There were some scenes that lingered, but not enough for it to be totally distracting to the movie. Part of that is also a positive remark as they do not force humor just to get a laugh. The humorous scenes are laid into the script appropriately.

The Public Enemy (1931)

The Public Enemy (1931) ★★★★★ 4/5

In 1934, The Hays Code went into effect in Hollywood. This code limited violence and profanity in films which made for a much lighter, romantic and music Hollywood. It was movies like The Public Enemy which helped bring the Hays code into effect. The Public Enemy was a gangster movie which followed the life of Tom Powers (James Cagney).

The movie starts with Powers getting into trouble as a boy with his friend Matt Doyle (Edward Woods). The two get involved with stealing and petty theft. As time carries on, the crimes become more and more involved and they end up working for Paddy Ryan (Robert Emmett O'Connor). Powers works his way up and earns the respect of the men on the street. At the same time, he looses the respect of his brother Mike (Donald Cook). While Powers slips further into the underworld, his Mother (Beryl Mercer) fails to accept what his son has become. Eventually, Powers messes with the wrong guys, or in this case, the wrong guy's girl, and gets what's coming.

As far as plots, it's nothing we haven't seen before. Although, this was the movie, along with a few others from the pre-Hays era that inspired everything we have seen. For this alone it is worth seeing the film, and it is important to see it if you are a movie lover. Acting wise, it is well ahead of it's time. Topic wise, I was shocked by many scenes in the movie. While the content is mild by today's standard, in 1934 this movie was way ahead of it's time. There was murder, there was adultery, there was spousal abuse. One of the most famous scenes in the history of film is in The Public Enemy. That is the scene in which James Cagney physically assaults his on-screen girlfriend Mae Clarke by pushing a grapefruit into her face. It's a brilliant scene. It is both funny and saddening at the same time. While the act is funny, the abuse it reflects is not. Upon it's original release, this scene was banned in several cities. Many cities however chose to ban the entire movie. The scene involving the scandalous affair between Powers and the girlfriend of his rival came as a complete shocker. There is often flirting and what not in older movies, but in this film, she turns off the light, makes some innuendos and heads toward the bed. That's a rariety to see in any 30's film, let alone in a scene where the main characters involved are married. Murder and gun play are very predominant in this film. The final scene made my jaw drop and I couldn't believe how incredibly harsh the ending was.

It should also be noted that Jean Harlow appears in this film. He role is small, but she is a Goddess on the screen and makes for a perfect addition to this gritty classic about gang life in the 30's. The movie is one you do need to see. It is well done and enjoyable. It also paves the way for future gangster films.