Showing posts with label Robert Duvall. Show all posts
Showing posts with label Robert Duvall. Show all posts

Sunday, February 12, 2012

The Natural (1984)

The Natural (1984) ★★★★★ 1/5

Roy Hobbs (Robert Redford) is a 19 year old baseball player who wows everyone around him with his skills. Max Mercy (Robert Duvall) immediately sees that this boy is going to be a star. Because he is so good, he is put up against the major leagues greatest player in a hitting contest and wins. Before he can go any further in the league, he is seduced and shot by a woman (Barbara Hershey) who preys on rising athletes. She falls out the window and dies as the gun goes off. Because of the injury Hobbs sustains, he can not play.

16 years later he tries to make a comeback in the league. With him is the bat he made from a tree that killed his Father. Pop Fisher (Wilford Brimley) takes him on his team to his disliking. To the suprise of Pop, Hobbs is still at the top of his game. Reporters try to exploit his past and suggest that he murdered the woman who hat shot him. Others try to claim his bat is loaded. A Judge (Robert Prosky) wants him to throw a game for money. A woman, Memo (Kim Basinger), is sent in to distract Hobbs from playing well, and the plan works as he falls in love with her and his game suffers. During the height of his slump, he sees a woman in the stands who turns out to be his childhood sweetheart Iris (Glenn Close). Feelings are ignited and Hobbs starts to play well until Memo poisons him. Lying in the hospital, the doctor tells him he shouldn't play anymore. Iris visits and he confesses his love for baseball.

Eventually Hobbs is well enough to play. During the game, Iris has a note sent to him and reveals that her son is actually his son as well. Lo and behold, Hobbs has a boy, and unexpectedly it is with the woman he loves, almost as much as baseball. When Hobbs learns of his son's existence, all the powers of the universe seem to come together. Lightning flashes and the bat that symbolizes his Father breaks. With a new bat, new energy and a new son, he hits the ball into the lights. Oddly, from hitting one light, every light in the park explodes on him and he rounds the bases followed by the sparks, falling like magical fairy dust.

In the end, we see Father and son playing catch in a field with iris watching from the distance.

What a ridiculous movie. First of all, Redford looks the exact same at age 19 and age 35. There was no effort to make him look any different from one period of time to the other. The whole story was so far fetched. A woman who gets her kicks shooting up and coming athletes? Seriously? I couldn't get into the whole plot about Memo wanting to seduce then poison him. Constant murder attempts on one athlete throughout his career . . . which by the way was essentially a sappy "I love baseball more then life" or "I can't live without baseball or I'll die" story line. Through the whole movie my attitude was very "who cares?" This film has an incredible cast, but with such a weak, random storyline, they have nothing spectacular to show off their skills.

The Natural is nothing more then an over dramatic, far fetched fairy tale written to make a boring topic like baseball seem like a romanticized, mysterious underworld/soap opera. The only good thing about seeing this movie is that I never have to watch it again. By the time the end came I didn't even care if he won or lost, I just wanted it to be over. There were several moments where I hoped it would just come to one of those random endings where the film just stops and it's left up to the imagination of the viewer as to what happens. But when Hobbs blew out the lights and rounded the bases in slow motion, I knew that the scene would last far too long. They just had to put it in slow motion, didn't they?

Sunday, January 15, 2012

Network (1976)

Network (1976) ★★★★★ 5/5



In this film there are four major television networks; NBC, ABC, CBS and UBS. Clearly this is before the days of cable, television and satellites. When the film opens, the viewer is "overloaded" with information from the networks. The screen is filled with four television sets to represent each of the networks broadcasts.




UBS' top news anchor is Howard Beale (Peter Finch) and is baout to be fired by his boss, Max Schumacher (William Holden) as a result of failing ratings. Beale is given a two weeks notice and on his next broadcast he reveals to the public his plan to committ suicide on air at the end of the two weeks. He is immediately fired. However when ratings skyrocket the next night because all the other news netwroks are covering the story, Max gets him back on air so he can apologize and bid the public farewell in an appropriate manner. Beale comes back on air and rants and raves about everything being "bullshit." Again, ratings go up. His third night on air during his final two weeks is the big "I'm mad as hell speech." Perhaps one of the most famous fits in the history of film. Beale defies everything about 1970's network news and rants and raves.




Diana Christensen (Faye Dunaway) sees nothing but dollar signs and ratings in this fit and talks her boss, Frank Hackett (Robert Duvall) into giving Beale his own show. His show essentially becomes what would today be nothing more then a Fox News or CNN ranter. Perhaps a Glen Beck or Nancy Grace so to speak. The whole point of the show is for Beale to speak his mind, regardless of whether it is right or wrong. His viewpoints however, completely ungrounded and not thought out, interferre with the business of international loans, debts, and money exchanges. Over time, his rants cause problems with the network financially in more ways then one. Ratings fall and Christensen can't have that. Ultimately, the only way to bring ratings back up and to get rid of Beale is to kill him...on air. This is done with members of a political opposition group who is about to be given their own show. This stint would be the perfect tie in to that show and a great way to get the largest share of viewers.




The movie is well written and extremely ahead of it's time. When you watch it, you have to remember the concepts were somewhat foreign at the time. People didn't speak their mind on the news. Perhaps this was an introduction to real networks using personal viewpoints as the basis to their shows. Was UBS an inspiration to FOX becoming the 4th network with shocking, controversial material to get viewers. Watching this movie today is probably more interesting now because you can see the impact it had on the industry. In 1976, the ideas in the film were probably quite comical and extreme. There are several references to the current culture of the 70's - particularily other shows on air and the Patty Hearst headline. Which was followed by their version of the story with the heiress being named Mary Ann Gifford (Kathy Cronkite).




The only part of the movie I didn't like was when Max left his wife (Beatrice Straight) to start a love affair with Christensen. It was a relationship you knew wouldn't last or work. It slowed the movie down. I think maybe it was just to show Christensen as being cold and heartless and to exemplify how all she cared about was ratings. It seemed like pointless filler, but it did provide Beatrice Straight 5 minutes and 40 seconds to be in the film as Max's wife.




Academy Awards wise, this film has some interesting records. This is the only film that won 3/4 awards for the acting category: Peter Finch as Best Actor, Faye Dunaway as Best Actress and Beatrice Straight as Best Supporting Actress. Straight had the shortest amount screentime for an Oscar performance. Finch was the first to win the award posthumously.